new PoemTalk: Howe's Dickinson

From left to right: Marcella Durand, Jessica Lowenthal, Jennifer Scappettone. They're in the faculty director's office at the Writers House, having just finished discussing Susan Howe's reading of Emily Dickinson's "My Life had stood - a Loaded Gun." It's the 32nd episode of the PoemTalk podcast. Please have a listen.

Beth Kephart at Alumni Day

At left is Beth Kephart, reading from her work at KWH on Alumni Day, Saturday May 15. She read with Alice Eliot Dark--a fantastic pair of readings. Afterwards photos were taken as Al Filreis and Moira Moody gathered 'round with Beth and Alice. Then separately, Al and Beth went home and blogged about the gathering. Bear with us, as now you read what Al wrote in his blog and follow the link to Beth's blog:

Just a few hours ago today at the Writers House, with me from left to right: Alice Eliot Dark, Moira Moody, Beth Kephart. Alice and Beth read beautifully from their work. I was ready to explain the interlocking connections of these four, and planned to link from here to Beth's blog, which I read regularly. So naturally I went to Beth's blog to pick up the URL for the link and, lo and behold, Beth had driven home and had already written out the merge. So I need only refer to you her blog, which I do so happily. Let me only add that I've been a pleased and moved reader of Alice's "In the Gloaming" for years and was gratified that she chose to read from that very story this afternoon at KWH. Pretty soon we'll have a recording available and you can listen too.

summertime & beyond

Audio announcement about summertime at the Writers House and a glimpse at our 2010-11 program year: mp3. We're closed for programs from mid-May until early September, but watch this space for various updates and announcements. And of course you can call us any time at (215) 746-POEM. When you do call that number, hit "3" to hear a poem from the PennSound archive, or "4" to hear a poem performed by a member of the Writers House community. You can always reach us too at wh@writing.upenn.edu.

apprenticeships

The current issue of the Pennsylvania Gazette includes a story about our apprenticeships program. Here are a few paragraphs:

The apprenticeship program began taking shape in 2002, when faculty member and novelist Max Apple approached Al Filreis, the director of the Kelly Writer’s House. Apple had been at work on a short-story collection, and was looking for a fresh reader who could offer some perspective on how to organize it. “I thought, we’ll call this an apprenticeship, and we’ll put the word out about it,” says Filreis.

Then he went one step further. He decided to form a new program, and found two other faculty members working on their own projects who could use some help. As soon as word got out, “the students applied in droves,” he recalls. “They wanted this.”

After all, this sort of real world “lab experience” is already available to students in the hard sciences. “Typically, the physics student realizes that his own professor is actually working on some very important, cutting-edge research,” he says, and from that point there’s a well-defined path for the student trying to get from the classroom to doing advanced research in a working lab. The apprenticeship model provides the missing link for a writing student trying to make the leap from an undergrad workshop class to the professional craft. “I think with this program we’ve proved … there is such a thing as advanced research experiences in the world of writing,” he says.

By establishing the Bassini Apprenticeships under the umbrella of CPCW, these courses could become credit bearing, says Filreis. The center is devoted to pedagogy that “really works” for the education of young writers, including experiences that might not necessarily take place inside a traditional classroom. “We believe very firmly that students learn best when they are essentially getting a one-on-one experience,” Filreis says, a philosophy that he compares to the intimate size of the Kelly Writer’s House. The largest room can barely hold a few dozen audience members, and “more often it’s one person talking to five people,” he says. “Narrow that down to its extreme, it’s one person talking to one person.”

Anthony DeCurtis

Listen to Anthony DeCurtis read from his writing. He teaches three courses each year through the Center for Programs in Contemporary Writing (CPCW) and the Kelly Writers House at Penn. He's a contributing editor at Rolling Stone, where he has written for nearly thirty years, and his work has also appeared in The New York Times and many other publications. He is the author of In Other Words: Artists Talk About Life and Work (Hal Leonard, 2005) and Rocking My Life Away: Writing About Music and Other Matters (Duke University Press, 1998). In addition, he coedited the third editions of The Rolling Stone Illustrated History of Rock & Roll and The Rolling Stone Album Guide (both published by Random House, 1992), and edited Present Tense: Rock & Roll and Culture (Duke, 1992). Most recently he edited Blues & Chaos: The Music Writing of Robert Palmer (Scribner, 2009). His awards include a 1988 Grammy Award in the "Best Album Notes" category for his essay accompanying the Eric Clapton box set "Crossroads," and three ASCAP Deems Taylor Awards for excellence in writing about music. Anthony holds a Ph.D. in American literature from Indiana University and lives in New York City.

At the Kelly Writers House Anthony has hosted our annual Blutt Singer-songwriter Symposium: Roseanne Cash, Suzanne Vega, Steve Earle - and next, Rufus Wainwright. And he is co-director of the RealArts@PENN project. His course the "The Arts and Popular Culture" has become a must-take seminar for young Penn writers interested in criticism, reviews, profiles, interviews and other forms of cultural journalism.

television writer genius, with us

We will be talking with screenwriter David Milch on Tuesday 4/27/10, starting precisely at 10:30 AM eastern time. We will be (as always) streaming the video live. Just go here (to our KWH-TV page) and click on the phrase "view live video." The night before--Monday evening at precisely 6:30 PM--Milch will be giving a talk and/or reading. Also streamed live, and the link for that video is the same as the other. Milch is the third of three Kelly Writers House Fellows this spring; the others were Joyce Carol Oates and Susan Howe. Milch wrote for Hill Street Blues, co-created NYPD Blue, then conceived of and wrote Deadwood on HBO for its three glorious seasons. Then John from Cincinnati (one season) and now Luck for HBO (just starting production).

Tan Lin on Wednesday 4/21

TAN LIN is coming to to the Writers House. On Wednesday, April 21st, the EDIT series (Danny Snelson) will host this poet, whose work, says Charles Bernstein, “sparkles with unoriginality and falsification.” Join us for a live publication event entitled “Handmade book, PDF, lulu.com Appendix, Powerpoint, Kanban Board/Post-Its, Blurbs, Dual Language (Chinese/English) Edition, micro lecture, Selectric II interview, wine/cheese reception, Q&A (xerox) and a film.” A reception will open at 6PM, to be followed by Q&A, printing, and micro-lectures beginning at 7PM. For more information call 215-746 POEM or email wh@writing.upenn.edu.